Say hello to Nikita, the 1965 Nikon FT N 35mm film camera I grabbed today. She features a 50mm prime lens, and a 2x teleconverter. I also grabbed 2 packs of Lomography Metropolis and Purple 35mm film and cannot wait to break her in. She’ll be an excellent companion to Penelope.
This is the first year I purchased the newest iPhone on launch day since I converted to iPhone over Android six years ago. It was a thrill to open that box and see the premium stainless steel, glass back, the ceramic shield screen and that third camera lens I have been drilling over for the past year ( I skipped the previous first release.) As first impressions go, this was love at first sight.
No, I have not raced out to test the latest HDR video, nor the Dolby Vision but it is clear to anyone that has one in their hand that this is the most premium iPhone ever and it is built to be used. My only cause for frowning is that the edges pick up and enhance my fingerprints. Well that is easily solved with the slim Otterbox shell I encased it with. I don’t want a case on it because it hides the design but concurrently, I want this device to last for more than a few years. It is going to get protected. And yes, for the first time in forever, I am content.. This is what I have waited years for, a device that is gorgeous, and future-proof.
I won’t go into all the technical details and design specifications, I’ll leave that for others to write about, but they are impressive. The processing chip and memory are faster, more than most laptops, including the Mac I am using to type this.
The three camera system in the iPhone 12 Pro deserve their own article here, and I am positive that will happen once I make the time to do a proper photo shoot with them. The 12 Pro has the ultra-wide lens, wide and telephotos lenses for various uses and sometimes, you can shoot with all three. Add on the Lidar scanner to offer true depth for my photographic subjects and compares with your basic DSLR camera and lenses. Truth be told, these cameras make up the number one reason why I have upgraded.
The second reason is the high speed 5G capability and those data speeds. My carrier lit up their network here a few weeks ago in anticipation for this release and I couldn’t be more pleased. Downloads are fast, streaming is uninterrupted and thanks to unlimited tethering to the hotspot, I am second-guessing the need for home internet service. The home service speed is maxed out at 50MBs whereas the iPhone 12’s 5G capabilities here are double, sometimes triple. If I lived in a larger city, make that 10 times the speed.
I can’t wait to discover more of this iPhone as the weeks go by, especially that camera system. More later on that, of course.
A constant comment I hear among my photographer peers is that they feel like they’re in a creative pit. They’re bored and uninspired. And yes, let’s be honest, I have as well. Who hasn’t?
I’ve found a few cures for the ailing inspiration in the past and am looking forward to implementing new ones as well.
I’ve been too comfortable and lazy. In the past I would eliminate technical setbacks with gear and software. So, I’ve sold all of my equipment. And then I changed to a new system to see how the other half did it. But over time I was still unsatisfied. Lesson learned: equipment doesn’t matter.
For now, I am exploring and re-learning analog. Don’t misunderstand, I still enjoy my DSLR but I’ll be using it less and may even sell that as well eventually. But when I allow my brain to go manual and take control over automatic this or that is when I like it best. I get creative. I have to think and plan. It isn’t easy. I don’t want it easy anymore. There are constraints and limitations with film photography that are different from digital. If going analog gets too complacent then I’ll try an instant camera or a toy camera.
I’m questioning everything lately. Do I need my photography website? Do I need a place to show galleries and portfolios? Who will see it?
I’m not offering anything unique then the next photographer. I may have some great work displayed there but so will she and he. What can I do that will set my website apart from them? Why should you follow me in the future?
I’ve been enjoying the idea of real, honest to God, tangible products that you can touch. I’ve embraced the physical portfolios and it all started with the art show in September when I offered prints for sale. I had prints leftover and so they went into an album and it thrills me in a way that photography hasn’t in such a long time. I had prints made from some of my recent road trips and those too went into an album. Magical. Now that I’m shooting 35mm and instant, they have their own albums/journals.
When I get my shit together and organized, I’ll even self-publish photo books and zines. I had. A few printed off in the past but that was back when the self-publishing industry was getting started. The offerings have improved and I’m honestly looking forward to this. Again, if I can get it together.
Perhaps these ideas will help distinguish myself from the bored, uninspired photographer. Perhaps these ideas will help me get out of those negative, bored places as well. The visitors to my website may appreciate the distinction from a bored photographer shooting the same thing as the other 12 million people fighting for attention. By making tangible products, I’ll be happier. Even if it is for myself.
Waiting for a muse is just not realistic. She isn’t real. I’ve realized that inspiration rarely comes to you but instead it is something to pursue. Doing the work itself can be inspiring. Planning the projects, cultivating my ideas, projects and products can be very beneficial.
Creativity is difficult to obtain and maybe this is why so many people are bored and uninspired.
2019 was a great year for my portrait photography. There are so many creative, beautiful people out there and it was great to work with them but I need a break.
I’m hanging up the camera for portrait photography to focus on personal photography and
reorganizing organizing my archives and portfolio.
I’m really looking forward to focus on writing. The days will be getting shorter and colder but I’ll be inside cranking out those words.
In May 2019 I had the opportunity to explore the Art Institute of Chicago and Field Museum to research and analyze the ancient Khmer empire artifacts from Cambodia as research for an upcoming book. It was my delight to explore similar artifacts from this Labor Day in Kansas City at the Nelson-Atkins Museum of Art.
There are a few similarities but also unique findings as well. As in Chicago it was in Kansas City that the description of these artifacts are incorrect. Minor points to help the general public understand but my way of thinking says that breeds ignorance. Let’s accept them for what they are instead of pandering, shall we?
As always though, I am grateful for the chance to explore more about this culture that has intrigued me since 1993 when I first discovered a book tucked away in the archives of a university library.
At some point in every portrait photographer’s career there will be a time when things just don’t work out according to the plan. Two characteristics will be very beneficial in getting around these situations; patience and flexibility. You also need to use what resources you have so the session won’t go to waste.
When my original plan to capture a model on roller skates through the park seemed like a good idea at the time, circumstances got in the way.
The golden hour should have been ideal but it was over an hour away. The lighting was complicated and scattered. The backdrop was beautiful in itself but was too distracting with the various trees, hills, rocks etc. Also, the surfaces to skate on were bumpy at best. Lastly, the model and her wardrobe was gorgeous but the backdrop did not compliment it at all.
Two lessons learned here
- Have an alternate nearby location.
- Make the most of what you got.
Even if I am working on a photo session and it all goes wrong, it is still worth making the most of the scene. You can walk away with something for your efforts and the model’s time. There were a few portraits to be proud of and to be honest, they actually came from the model’s suggestions on which area and poses we used. Again, remaining flexible and adapting helped salvage this photo session.
In order to take advantage of the benefits of a good photo walk, try some of these visual exercises as well.
- Walk around shooting anything and everything. Don’t discriminate, keep your mind open
- Focus on color, monochrome, texture, composition
- If you shoot primarily with your camera, try your phone’s camera instead. Vice versa. Change it up.
- Look for different color combos, shapes, curves, leading lines
- Process your photos with different styles. Over-saturate, add shadows.
- Use your flash to drastically change the outcome.
Any or all of these exercises could help you flex your artistic muscles
Now that spring time is officially here, it is time to stand up, stretch, and get moving. What better way to ease into it than a walk with your camera?
Physical fitness is essential to your artistic fitness. In order for you to become a better photographer you must become a better person.
In other words, the more physically fit you are, the better artist you are. Think of it as photography therapy. When you prioritize your physical fitness, you can become more productive.
Walk. A lot.
Start lifting again.
Make your diet a priority
Limit alcohol intake
Feed your creativity by walking inside museums or galleries, walking around town with your camera or walk around public spaces.
The more you shoot, the more photographically fit you can become.
What better way to enjoy the fresh Spring air?
Use photography as a chance to explore more. Go on adventures or a simple photo walk. Get out of the house and just shoot.
Petrified Forest National Park, Arizona